Anyone who’s taken a stroll in the art world has probably heard of the term “inspiration.” I know living in the world world, it’s something I hear about all the time as one of the most vital things about being an artist. It’s that magical, unearthly feeling of experiencing something; an event, a sensation, another piece of art, and being filled with a desire to create because of it.
It’s probably one of my favorite things about art. It’s much more than just looking at something and thinking it’s pretty. It’s an enabler. A strong desire to make something from such experience. I love that feeling. More often than not, it’s a rush of beauty and joy that flows through my head and puts in my hands an itch to create.
What’s also amazing is the different things that inspire different artists: Van Gogh was inspired by nature, Warhol was inspired by graphic design, even way back in time, Romans were inspired by the Greeks and the Renaissance artists by them with the mixture of technology and engineering that was coming back! … For me, inspiration happens when I’m in the presence of great beauty, and also mental stimulation (chemistry) or spiritual contemplation (churches). This is why my sketch books are filled with hydrocarbons and sketches of saints and angels.
Inspiration is falling in love.
But sometimes love fades.
So does inspiration.
Sometimes, being inspired isn’t enough to create something though. I can’t tell you how many projects I’ve been ‘inspired’ to do, then abandoned because I’ve lost interest.
Sometimes you may have started something and decided it wasn’t a good enough idea, but some art needs to be brought to completion. There is a story or vision that needs to be told.
I’ve written a short list of five things to do when you want to create, but the inspiration fades away. This is different from art block as it has more to do with what happens when you lose inspiration rather than if it was never there. 1. Stop waiting for inspiration
You can’t force inspiration. You can put yourself in an environment where you’re more susceptible to it, but inspiration comes on its own accord. If you go out trying to force that same feeling of inspiration that you felt when you first started your project, you’ll only frustrate yourself. If you wait around for inspiration, that’s even worse. It may never come again. At least, not in the same way it did before. You may find yourself not finishing projects or taking forever to do so.
2. Just sit down and do it
I found that a huge part of art involved how much I just needed to sit down and do it. I found that I’ve always wanted to start projects, but I’ve never wanted to finish them. Time management is a huge part of this part of motivation. More often than not, I just had to drag myself into the studio and and tell myself I’m only going to work on something for 15 minutes. Sometimes after starting to work on a project, I’ll get really into it and spend anywhere to 45 minutes to two hours!
3. Set a Time Limit
Anyone who’s been following me these last few months may have noticed that the art I’ve finished was either requested by someone else or gift for someone. Having a time limit really helped me commit myself to these projects. I’ve met and heard of artists who have taken sometimes years to work on a project, but my philosophy is that’s really bad for business. If someone’s paying you to do art, you should get it done in a timely manner.
With my Terrace at Night Van Gogh copy that I made for my aunt, I told her in February it would take five months. I got it done in three. It was also easier to finish Our Lady of the Wood and the Imperial Guard painting when I told myself I would finish those in time for Mother and Father’s Day. If I didn’t sit down and come up with a due date, I probably never would have started on them, let alone complete them.
5. Go Back to What Inspired You
Sometimes, it might help to go back to the source of your inspiration. Go back to that hike you went on, the museum you were at, or that Pinterest board where you first felt inspired. Don’t go back to it too much in a short period of time, though, it might lose its luster.
This morning, I overslept, still woke up early enough to where I’m not leaving the door for work 20 minutes before my shift, but still enough that it caused a detriment to my morning routine.
Even so, I found that I had some extra time today than I did yesterday (and I did manage to get up at 5 yesterday) and I thought, “Great! I can actually get to painting my Caravaggio head study that I’ve been putting off the last three days.”
Then I stepped into my art studio.
I stepped into the studio, and it was dark, cold, and chilling.
I could possibly, I dunno, go turn on the lights (which are actually in an inconvenient place), put on warmer clothes, promise myself I’ll only paint for five minutes, then not, but nope! I’ve opted to go back into my slightly warmer living room and write a blog post instead with YouTube videos playing ensuring my distraction from what I’ve been put on this earth to do.
So many reasons to not paint. Just stay in bed, play on the computer, type up this blog entry hoping to talk myself into painting while this still time before I have to get ready to leave…
I’m sure you’ve had a terrible day, or a string of days at work. It wasn’t a single event that caused your stress and grief, not necessarily, but things going wrong just little by little. All the while, you’re getting more and more distressed without even having realized it.
It doesn’t really matter what it was, the report you put on your boss’ desk wasn’t exactly perfect even though you double and triple checked everything… again… maybe you said something stupid to a coworker that you’re sitting there dreading what they think of you, maybe for some reason, instead of having a difficult customer once every day, like you’re used it, it seems to be once per hour. Maybe you’re not sure if the customers are just terrible, but your own stress is more visible to the customers than you like which is putting them at a sense of unease, so they don’t have confidence in you.
Just like how you’ve lost confidence in yourself.
Finally, the moment comes that you’ve been waiting for. You clock out of work to go enjoy your weekend (or whenever your day off happens to be), you’ve finally escaped work. You can just relax an enjoy yourself, maybe even get stuff done that YOU want instead of whoever you’re working for!
Guess again, pal.
Your day off comes along, and maybe you’re just so burnt out that all you can do is sit in front of the computer watching Netflix or playing video games. Then, your day is gone before you know it, and you’re back at work again.
You don’t feel rested, your muscles ache with the weight of the events of the previous week. That day off-or even that entire weekend- might as well have been a hour lunch.
Or maybe you’re one of those crazy people that actually continue to wake up early on the weekends, you have a dream you’re working towards, and you’ve made progress. Your way of relaxing is drawing or painting a picture, you might have done some blogging, some research on how to make passive income, maybe did some chores around the house.
Only, you don’t feel accomplished. You are still carrying that weight from that awful week at work. All those little things you accomplished over the weekend didn’t restore your confidence in yourself as much as you were sure it would.
You might have had nightmares about work.
You found yourself in quiet moments-without realizing it-going through situations that went wrong at work and figure out what you would have done differently to make them better, then you would feel your heart race and get upset.
Then you would get angry. This is my time off! Why has my job treated me so badly that I’m spending my own time worrying about that?
I know it might sound like PTSD, but I wouldn’t go so far as to call it that.
I’m not here to tell you that’s not all that bad, you’ve heard that already. I’m not even here to tell you how to make the most of your weekend. If you need to veg out and essentially reboot yourself after an awful week, that’s great! You deserve it!
I’m here to share with you something that helps me when I’m supposed to be enjoying my time, but the stress from work is getting to be too much.
Now, I don’t just do this, I also keep a daily journal, read philosophy, and exercise, which I’m sure helps significantly.
When you start to feel panicky and remember your terrible time at work, stop. Stop everything you’re doing and look up. You need to remember that you can’t change the past, you can’t look to the future. You are currently living in the present moment. Look up. Look at the environment around you while taking three, slow deep breaths.
Where are you? You’re not at work. Look at a few objects in the place you’re in. If you’re at the desk, look any pictures on the wall, look at the coffee mug in front of you. Look at your sketchbook. Remember. This is not work. This is your space. You can do just about anything you want in this space. No grouchy customers (unless they’re your own if you’re that aforementioned small side business-owner), no boss breathing down your neck, no reports you have to check. Just your space.
If you’re outside, look at the plant life, look at the big sky above you, maybe there’s a dog, or a squirrel near by. Again. This is not work. This is the space you’re in right now. You can’t always control what happens at work. You definitely can’t control and fix all the things that went wrong this week. If you keep worrying about what’s going to happen at work, then you’re just going to be miserable and miss out on the great time you could be having right now.
If your stress is particularly brutal, I recommend doing some journaling. Write down five to seven things that you’re grateful for. I know it sounds dumb, but it’s much easier to focus and fret over what’s going wrong than on the things that are going right in you life. They don’t even have to be big things. Is it sunny out? Be thankful for that! Is no one dying right now? That’s a plus. You’re not starving? There you go.
Did someone just smile back at you as you were you thinking of your list because they thought you were starting to smile at them? Well, that’s a combination of nice with a bit of sweet humor (this actually happened to me, it was really the highlight of my day!).
It is helpful to think of a different list every day, otherwise these things will lose their magic.
Right now, you need a boost. Any boost.
Also, please, do not be alone during this time. Human beings are social animals, and now would be a good time to reconnect with a friend. If you live with your family, or partner, this would also be a good time to do something nice for them (make them a card, offer to do one of their chores, tell them they look great). Showing an act of kindness to someone instantly makes you feel good.
It’s important to remember that even though your job might make you feel like a worthless husk- a cog in a machine- instead of a human being, you matter to someone else.
It doesn’t feel like that right now.
But you do.
Also, if your job is particularly toxic, to the point where you feel this terrible most of the time, look for other jobs. Oh, “Better the devil you know than the devil you don’t”? don’t be so sure. Have been looking for other jobs, but no luck? Keep looking!
You also may want to consider volunteering once a week, that will make you feel like you’re making a difference, you’ll be picking up new job skills, and your future employer will really like the fact that you’re volunteering. That’s not always fun either, but the benefits of volunteering outweigh the negatives.
These things don’t necessarily need to be practiced purely on the weekends either, you can also do these exercises when you get home from work, or even on your lunch break (actually, ESPECIALLY on your lunch break, where there’s a pretty good chance that besides eating, all you can think about is going back to work).
Also, I want it to be clear that I’m not saying you should ignore your problems. If you have difficulties at work that you can need to improve on and overcome, you should do everything you can to do so. At work. On the weekends, or time you’re not being paid to deal with work (unless you’re a teacher or some other profession that requires you to do work related things on your time off), that time and place belongs to you.
Stop. Observe Your Surroundings, Remember You’re Not at Work
Take Three Deep Breaths
List 5-7 Small Things You’re Grateful for
Do Something Nice for Someone Else
Change What’s Wrong With Your Situation if You Can (get a different job, learn additional skills, volunteer).
I’ve said this before in my post about becoming an artist if you haven’t even so much as drawn a stick figure. You will be more excited, more passionate, and have a much easier time if you like the thing you’re learning to paint. When you’re struggling somewhere along the way, you’ll be more motivated to learn how to get over that hurdle.
Now, it’s okay to change your mind every so often, especially if you’re just starting out, but as you keep getting better at art, and maybe even want to start it up as a business, you may find that it’s much better if you stick to one kind of thing. Your skills won’t be spread out across so many subjects, and potential clients generally like consistency.
2. Have the Right Kind of Materials
There are hobby grade and student grade paints and canvases, but, unless they’ve gotten much higher quality since I’ve written this, I strongly advise AGAINST using them. It’s better the invest in professional paints and canvases because they last much longer, are more smooth as you’re painting on the canvas, and you don’t have to use as much of it.
I mean it. When you use the cheap materials, you have to use a lot. Higher grade oil paints are actually much cheaper in the long run because you don’t have to use as much to get the results you want.
As for brands. I highly recommend Golden Colors or Gamblin. Gamblin especially is a highish mid-range brand and produce very good materials. Not only that but they are dedicated to conservation. They do a lot of good work with art conservators.
These Gamblin oil paints are less than $8.00 per tube.
This Gamsol paint thinner is oderless, nontoxic, and lasts a long time. You can pour it in a glass jar, wait, and the paint separates, then you pour it another jar and it’s clean again! I bought a gallon of this about a year ago, and I still have the half the bottle left. And I’ve been painting nearly every day too!
Lastly, you’ll want to get picture varnish. It preserves your painting, makes your colors more brilliant somehow (I don’t remember the science, it just does!), the colors become richer, the painting is shiner, and, no matter what your skill level, brings your up at to that classy-museum level brilliance. Don’t get attached to it though. If art restorers think your art is worth preserving decades down the line, they’ll probably remove it from your painting.
3. Learn Shadows
The best oil paintings, in my opinion, and human natures’ opinion, are those with an excellent use of contrast.
With the exception of Impressionism, but we’ll cover that here in a second.
This especially true today. On Instagram, the entirety of your art isn’t the first thing that get’s noticed. It’s the tiny thumbnail. So if the thumbnail doesn’t pop out, then not as many people are going to want to view it.
4. Have Some Understanding of Color Theory
This is especially important. If you don’t study a little color theory beforehand, you will probably find (if you haven’t already) that if you mix the wrong oil colors, they will look muddy, gray, and ugly. For now, you don’t want to do that. Maybe you’ll do it on purpose later on, but if you’re just starting out, please, for the love of God, go on YouTube, and watch a five minute video on color theory.
This goes beyond just learning the primary and secondary colors, I’m talking about hue, saturation, warm colors, cool colors, why some colors work together and some don’t.
In fact, this YouTube video actually helped my art exponentially. It’s 20 minutes long, and worth every minute (I actually need to watch it again):
5. Practice Every Day
The most important thing is to practice every day. Even just 20 minutes every day. 20 Minutes per day is 140 minutes a week which is 2 1/2 hours which means you can have a nice painting done in one week. A couple months later, you can have an entire portfolio to present to art galleries (or even your online gallery).
I’m an artist! Of course I’m crazy! (Actually, believe it or not, there might not actually be any correlation between creativity and mental illness according to this Psychology Today article. When I got myself tested, I was only diagnosed with a minor form of anxiety, but who doesn’t have it in this day and age?)
Even so, sometimes we feel like we’re actually two people. There’s the rational side that has big dreams and knows that it requires hard work to reach said dreams, then there’s the instant-gratification monkey that doesn’t want to work hard. These are also things I say to myself when I’m feeling frustrated, scared, or lazy. These are things that help me a lot of personally, and I invite you to try saying these to yourself.
1. I Will be Okay.
I wish I could say I came up with this, but this something that I hear all the time from Charlie on his YouTube Channel Charisma on Command, which I strongly recommend especially if you’re socially anxious and shy.
Every time I think things are not going well, or I’m about to apply to have my art exhibited, or try something new that could potentially help my art career, I just think to myself, “No matter what, I will be okay.” And I will. Even if things turn out so wrong for a while, I know I’ll get through it somehow.
2. This Too Shall Pass.
A quote from my old buddy, Mark. Something I say when I’m really not having a good time for whatever reason like I made a mistake at work, am receiving harsh criticism that I can’t find a way it will help my art, or I’m sick and miserable (at least then I can read a book). These are the moments you really can’t stop and appreciate. All you can remember is that they will pass, and you can move on.
3. Don’t Compare yourself to others. Compare Yourself to Who You Were Yesterday.
I really really should have put the book I got this from on my list of books that shaped my philosophy, but I’m happy to give a nod to it now. This is a rule from Jordan Peterson’s 12 Rules for Life that helped me a lot as an artist (that and Treat Yourself Like Someone You’re Responsible for Caring For). This is something that keeps me from being overwhelmed, and even happy for, the artists out there with skill that I will never come to close to, but I still get to keep my competitive spirit by competing against myself. Although, sometimes I feel I’m ahead, and sometimes I’m behind. And that’s okay too.
4. I am Not a Quitter
Running on a treadmill? Having a rough time at your job that you’re not sure you can take anymore? Learning something new and you’re hitting a wall? Whenever this happens to me, I simply whisper, “I’m not a quitter.” and it gives me the boost I need to keep going, even if it’s just for a few more minutes. Now, maybe you are a quitter. Maybe you’re the kind of person who quits 100 times out of 99. Not in that moment, you’re not!
5. It Will Only Take 10 Minutes
Every time I wanted to read a book, paint, work out, or something I needed to do, suddenly, I never wanted to do it. I believe you have felt this way repeatedly. I learned, albeit later than I would’ve liked, that’s not the act of doing something that’s all that important, but starting. I can’t tell you how many times I’ve talked myself into spending only ten minutes on a project, ten minutes go by and I think, “Eh, I can keep going” and next thing I know, two hours went by, I have an almost completed painting, and I realize I forgot to eat breakfast.
6. Don’t Let Fear Rule Your Life
When I was about to graduate with my bachelor’s, I was in a kind of slump. I wasn’t sure where my life was going, what I was going to do next, and I was very, VERY scared. That was when I decided to go live in Italy for a year. Every step it took me getting there from the application process, to the acceptance letter, to the getting my passport and visa, it felt like something was fighting me. What if I end up destitute? What if it goes wrong?
My mother said, “Don’t let fear rule your life.”
If I listened to that fear, I would have never had that experience, met those wonderful people on my journeys, and have those wonderful stories.
7. If takes less than 5 minutes. Do it now.
“I will find a goddamn light, man.” Was listening to a Kevin Hart interview excerpt while I was writing this. The fact that this man is just “happy” and can take any moment and find joy in it somewhere is just a rare thing.
Good morning, everyone! The sun has arrived after many long weeks of rain and clouds, and it truly is the best.
For years, I’ve been thinking of my personal philosophy about art. More so out of rebellion against the university I was attending, which only wanted to view art through a political perspective, I’m happy to say as someone who is just a few years shy of her thirties, I think I finally FINALLY came up with an art philosophy that I am happy with. I believe my time in Italy, and being surrounded by beautiful art every day, most of it not costing me a three cent penny, helped shape it, but the books below, were probably my biggest influences.
DISCLAIMER: Now, I’m going to come and say it, yes, these are affiliate links. If you purchase any of these books, I do get paid a tiny bit, and yes, my writing this post did start off as me trying to use affiliate links effectively, but as I got to writing, and reopening these books for this article, I just fell back in love with them all over again. I enjoyed writing about these books and how they helped through roughly the hardest times of my life. If you want to buy any of the books below, or know somebody that might enjoy them, you would not only be supporting me and my dream to become an independent artist, but you would benefit from their wisdom.
My dream for the future involves filling everybody with love and inspiration for art- to want to take the places they love and fill them with beauty. I want everybody to discover the artist within. I am convinced if everyone read these books, then my dream for a future where everyone, especially you, can become an artist filling everyone you love with joy through the power of art, this dream might just be just a little bit more realized.
1. Steal Like an Artist by Austin Kleon
Don’t worry so much about making art, just do it!
I believe one of the greatest challenges artists of any medium face is creating a new idea. It doesn’t help that copywrite laws are seemingly becoming murkier and murkier.
Steal Like an Artist is the first book I read in this list. It’s a short little book with adorable illustrations. Not only does it tell you to stop worrying so much about creating an original art (after all, nothing is truly original), but how to stop overthinking and actually get started in becoming an artist.
It’s a very short with easy to follow rules. They are as such:
Steal Like an Artist
Don’t Wait Until you Know Who You Are to Get Started
Write the Book you Want to Read
Use Your Hands
Side Projects and Hobbies are Important
The Secret: Do Good Work and Share it With People.
Geography is No Longer Our Master
Be Nice (The World is a Small Town)
Creativity is Subtraction
My favorite of these rules (after the first one, obviously) is rule 3- which translates to Paint the Kind of Art You Want to Paint. It helped me imagine what kind of art would I like to see in the world? If I could make the world more beautiful with anything, what would it be? I then create that art.
Protect your history, and above all, don’t let yourself be the one who destroys it.
I actually came across this book in a bookstore for cheap while living in Italy studying art conservation.
The thing about it that struck me the most was one of the terrifying second chapter. It was written through a perspective of a man seeking what I wanted most, to beautify through art, his beloved place he called home:
“As a young man, he had dreamed of being an artist and an architect… He had wandered in the wilderness for a decade, almost destitute and virtually living on the streets. But his true destiny had finally revealed itself. He was not destined to create, but to remake. To purge, and then rebuild…”
Robert M. Edsel pg 15
Reading that chapter filled me great rage and discomfort. This man and I shared this vision for our respective homes, but this…monster… was also responsible for the slaughter of many of my ancestors.
If you haven’t guessed by now.
That man was Hitler.
The great adventure of seeing the Monuments Men team up and recover the art Hitler kidnapped was exciting, but it was over shadowed by that second chapter. Like a foreboding warning. Whispering, “When creating and protecting art, Beware. Do not be driven by hate. Beauty, history, and legacy will not be obtained by the blood of your enemies.”
Troubled, I brought up that chapter during a lecture from one of the Superintendents of Florence. She insisted that Hitler simply wanted to obtain the art to elevate his own power- nothing else.
I don’t accept that. It’s too… simplistic. And it doesn’t take into account that evil man was also human, and if any of us underwent the same life experiences he did, it would be likely we would have turned out just as cruel and vile.
It felt like watching Peter Pan with your child, who asks you, terrified, if there was a chance he could grow up to be like Captain Hook, you simply brush it off and say, “Of course not, Timmy. He’s bad. You’re good.”
It was an interesting choice to see the second chapter was written through Hitler’s eyes. In that moment, he wasn’t a monster, he was human. A human filled with inspiration, dreams of art, dreams to rebuild and a strong sense of vengeance for people he felt he needed to blame for everything going wrong.
I took this as a warning to watch out. There’s a monster in all of us. If we don’t pay attention to history, or ourselves and our own hate and resentment, we will become something inhuman and truly evil.
3. Glittering Images by Camille Paglia
After attending university and getting my art history degree, I discovered Camille Paglia (only to find out my mother discovered and admired her first, so in a sense I consider her almost a grandmother to me). She is a woman who has a passion for art and history at a level that I can’t even imagine- and the strength, boldness, and conviction to defend art. Her very words can tear your soul to ribbons and make you rethink everything you once believed. My passion for art as a tool of free expression and strength in the face of criticism and banality is heavily influenced by her.
The reason why I recommend Glittering Images is because it’s also a relatively short, quick, and easy book to read to get started into art history as well as Paglia’s sharp wit in general. The book was written specifically for the homeschool mother demographic to teach their children art history, the very art history they probably wouldn’t get in school.
Not only that, but because Paglia herself is such a strong woman who lives and breathes out of a hot, burning passion for art, strong sense of character and honesty, and is not afraid to speak out against the petty, spoiled, mutilated version of what is and isn’t acceptable art, she actually encouraged me to look at several forms of art of which I previously disdained (more out of rebellion than my own actual thoughts) with an open mind. Least of which, her beautiful analysis of the Mustafar fight scene from Star Wars episode III, a film that I just didn’t like, and yet,
The Mustafar duel, which took months of rehearsal, with fencing and saber drills conducted by word master Nick Gillard, was executed by Hayden Christensen and Ewan McGregor at lightning speed. It is virtuosic dance theater, a taut pas de duex between battling brothers, convulsed by attraction and repulsion. Their thrusts, parries, and slashes are like passages of aggressive speech. It is one of the most passionate scenes ever filmed between two men, with McGregor close to weeping.
She showed this, and even the performance art of the 1960’s and 70’s that I previously disdained in a new light that peaked my curiosity in a way other than, “If you don’t get it/like it, you’re just dumb and don’t understand” like how it was taught in university.
Glittering Images is not just an art history survey book. It’s a work of poetry.
4. Orthodoxy by G.K. Chesterton
Don’t take things so seriously, love your critics and enemies, or at least love the art you love more than you hate them.
For those of you who might not know, Gilbert Keith Chesterton was a former Atheist who converted to Catholicism. Historian, Philosopher, and Theologian, He has written dozens of books and poems and is beloved by both Christians and Atheists alike.
Orthodoxy is the sequel to his book, Heretics, where he critiques by playfully poking at the the popular agnostics and atheist philosophers of his time of his time such. Including, but not limited to H.G. Wells, George More, and James McNeill Whistler.
If I were to put the sum of his critiques in one sentence, it would be,
Naturally, after the book was published, his critics were not happy. They, quite understandably, demanded that Gilbert explain himself. It was probably even more frustrating that he critiqued them very much like a court jester: not hostile, just gently nudging that there might be some holes in their serious beliefs, and now everyone in the room is giggling.
It would have been better if he responded like a stern, angry preacher, sure the wrath of God would fall on the heads of these godless heathens, that way they could feel martyred and justified in their discoveries. Not Gilbert. No. Gilbert, treating them like a five year old boy would talk to his big brothers, simply asked them to stop being such sticks in the mud, to take a break from bragging to everyone about how smart they are, and just come outside and play. It’s sunny out and Mom just made lemonade.
Alright, they said, He explained their philosophies, but what about his? Gilbert, seemingly believing he was being challenged to a duel, picked up his pen and with much delight, responded:
“No one can think my case more ludicrous than I think it myself; no reader can accuse me here of trying to make a fool of him: I am the fool of this story, and no rebel shall hurl me from my throne. I freely confess all the idiotic ambitions of the end of the nineteenth century. I did, like all the other solemn little boys, try to be in advance of the age. Like them I tried to be some ten minutes in advance of the truth. And found that I was eighteen hundred years behind it.”
As little seriously as he took his brothers, this silly man takes himself the least seriously of all.
While Chesterton specializes in theology and not so much as art, his wit, humor, and glowing sense of benevolence probably was the thing that shaped my art philosophy in the most important way. His almost jester-like response to his critics
When you’re passionate anything, In Chesterton’s case, religion, and in mine (and most likely yours too) art, you’re going to face critics or encounter people who are just… wrong.
Now, I’m not talking about legit criticisms, where people offer feedback that if taken seriously, could be used as an opportunity to improve your art. I’m talking about bitter, nasty people who insult your work because they just get a kick out of making you feel bad.
Should you get angry at them? Insult them back?
You should instead treat them like they’re stick-in-the mud older sibling who thinks they’re so much better and smarter than you and need to show it. You should respond to their insults with a sense of humor.
5. Meditations by Marcus Aurelius
Yes, I have an affiliate link above, but since Meditations is in the public domain, here is a link to the free pdf if you would like to download it!
As an artist, it’s easy to get swept up and emotionally invested in things. It’s easy to compare yourself to others or think you’ll be great if you could achieve X level of skill, or make X amount of money or what have you. I found that many artists, myself included, tend to get very emotional especially when it comes to their art. I know for a fact there is a sense of hopelessness I feel knowing that the thing I’m most passionate about, and the most skilled at, doesn’t exactly put bread on the table as easily as getting an office job.
But, there is a strong wisdom in stopping, looking at the present situation around you, no matter how terrible, and realize that’s the only moment you truly live in. Might as well figure out how to enjoy it with dignity and meaning
Marcus Aurelius is one of the greatest philosophers known to mankind. Both he and his meditations on the philosophy of Stoicism have withstood the test of time on such an impressive level. People usually think “Stoicism” and imagine an emotionally repressed man who just does not care and is very good at suppressing his emotions. Not so.
One of the key tenants about this book is being happy. Particularly, finding happiness in your current situation. It’s very difficult, but the truth is, you can’t change the past, you can’t always predict the future, it’s just best to this one thing: Live in the moment. Bad moments will pass, and the good moments are worth stopping and being grateful for.
I downloaded the PDF to Meditations two months ago and have made a habit of writing a journal about it every day while analyzing each little section of the book and how it can be useful in my own life. Meditations helps put the insecurities and hopelessness I feel about my art in perspective. Since then, I found that I’m more willing to accept things as they are rather than getting angry about things in the world that I can’t control, I can focus better on the things I can,
Everybody seems to have this misconception that in order to be a real “artist,” you have to have this god-like talent. Some people are artists, and some aren’t.
Full disclosure, this post covers primarily drawing
That’s not true at all! It really doesn’t take much to develop a drawing skill that will impress your friends and loved ones- maybe your social media followers if you want to get ambitious.
And think about it: Many artists who are “successful” aren’t exactly Raphaels or Da Vincis. Most of them are cartoonists who know what kind of drawings make people happy and have fantastic marketing and social media skills as well as artistic talent. So there you go! No excuse to not start being the artist you want to be!
I want to share my personal quick tricks to get you started as an artist right away. If you want to work towards becoming as good as Cesar Santos, that’s up to you- but today we’re going to do a few quick and easy things.
In your little sketchbook, and write down what your favorite thing is. Do you really like horses? Write that down. Classical art teachers might have you start “Beginning Drawing” with landscapes or random shapes.
If you’re not interested in landscapes or spheres, but you really love mermaids, you may get bored really quickly of the former. So, think about what YOU really like. If studying those other things will help you get there- great! If not, don’t worry about it. Like I said, this list is just to help you get started quickly.
2. Find that Favorite thing in a Cartoon Style.
Everybody loves cartoons! Chances are, whatever you love drawing, there is a cartoon version of it somewhere. Go online and find clipart, or if you like people, anime, or a 2D Disney style would be a fun and great place to start.
After you find that cartoon style, it would be a good idea to draw what you see. Maybe even start with a few blind drawings to get your hands and eyes warmed up.
There’s also a ton of great videos on YouTube that teach you how to draw cartoon versions of anything. If you have daughters or little sisters, or just like drawing… for example… ballerinas, general, here is a 10 minute how-to-draw a cartoon ballerina video. For very early beginners, I highly recommend the YouTube channel Draw So Cute. She gives very easy-to-follow advice on how to draw a cartoon version of just about anything.
If you’ve tried drawing this and are still struggling I recommend printing out your subject, then trace a few times. This will help the muscles in your hand remember how to draw the various curves and lines of what you want to draw. Here’s some tracing paper for less than $5.00. Make sure to draw your subject on your own though! Nobody is impressed by a tracer!
3. Draw in that Style Every Day for a Few Days
Of course, learning to draw quickly doesn’t necessarily mean “immediate.” Ideally, I should be telling you to draw every day until you kick the bucket. That’s not reasonable. I can barely draw every day- let alone a brand new beginner like yourself! I would recommend, at least starting out, trying to draw for 30 minutes per day. It’s easy to find the time.
It may not even take you five days. I’ve known many adults in their 40’s who were able to pick up cartooning immediately.
Five days is a good number though. One day let’s you suck at it, two days lets you suck at it, you should be getting the hang of your new cartoon style by day 3, and day 5, you should have created something that your friends will be impressed with- especially if you’re only starting out! Remember: The reason why most people can’t draw is because they’ve never started. If you’ve drawn Betty Boop for five days, you can still draw Betty Boop much better than 70% of people.